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THE NOU SERIES: AN EMBODIED HISTORY AND BODY INSTALLATION PROJECT

April 2019 - January 2020

Funded by the Lincoln Center Cultural Innovation Fund, Protest Garden is an immersive series of outdoor installations gauging activism through an intersectional lens. As participating artists, Kriyol Dance! Collective will be creating new movement work that explores the intersections of archival methodologies, muscle memory, and spirituality, and, that offers public workshops geared toward self-care and community healing.


The Nou Series is an experiment in embodied knowledge, resistance, and history that prioritizes “nou” (“us” in Haitian Creole). By exploring the history of The Wyckoff House, documented memories of native Lenape peoples and enslaved Africans in Canarsie, and the migration of Black Caribbeans to Brooklyn, through a lens of muscle memory and spirituality, we hope to build a connected narrative and express it through movement. Our goal is that by positioning our bodies as museum installations we can expand and interrogate stories and processes of cultural preservation and community identity.

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The Nou Series: An Embodied History and Body Installation Project: Project
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"This performance has solidified the power of our collective movement in a way that feels exciting as we continue to grow our work. It speaks volumes about our capacity moving forward given how seamlessly we were able to create a connected story though each of us as individuals moved from a distinct perspective and dance vocabulary."

The Nou Series: An Embodied History and Body Installation Project: Quote
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THE GATEKEEPER

Trudy Pierre

Embodied Papa Legba. 
"As Legba, the gatekeeper who opens and closes the gate to the spirit world, I am here to remind us that looks easily deceive..."

THE ENSLAVED SENTIMENT

Véronëque Ignace

Kouzen Zaka Embodied.
"I struggled with this concept of labor. I struggled with the idea that this land could be purchased fairly. I struggled with the lack of information about what work on this land looked like daily for indigenous folk and enslaved people who contributed to Wyckoff’s wealth."

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A MOTHER IN THE HEARTH

Maxine Montilus

Embodied Yemaya.
"As the Yemaya/mother figure connected to the ocean, I serve a reminder to remain connected to nature."

THE WARRIOR

Shelli Ligonde

Embodied Ogou. 
"My presence in the Nou Series Tour serves as a symbol of strength, adventure, rise to challenge, and perseverance in the face of adversity. My story is one of preparation, hardship, and ultimately, hope for success."

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THE STORM AND THE GRAVEYARD

Marla Robertson

Embodied Oya & Grann Brigit. 
"For my solo, I was inspired by the ideas of buried knowledge and winds of change. A tree and dirt are used to represent man’s relationship to the earth and it’s embedded knowledge we all possess. We use this knowledge to inform us of our heritage, guide us through struggle, and fuel us through change and revolution."

DUALITY

Negesti

Embodied Marasa/Ibeyi. 
"I want to play with duality, going between personalities, playing with different versions of myself. The duality of life."

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SEREMONI. THE CELEBRATION.

Kriyol Vodou Band

This finale was intended to bring cohesion to our stories. During the live tour, we invited participants to interact directly with each installed body.

The Nou Series: An Embodied History and Body Installation Project: Portfolio
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